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Statement I am an artist working predominantly with sound, sometimes enhanced with video and photography. My work combines electronic tones with digitally processed acoustic sounds including field recordings and musical instruments. I have produced several site-specific commissions and am particularly interested in the resonance of spaces, their history and atmosphere, and wider notions of place and memory. Recent works include: Treatments and Textures, a DJ mix of atmospheric textural ambient and electroacoustic tracks for Tate Liverpool’s Sculpture Remixed collection display; Binary, a commission for the National Trust manor house Oxburgh Hall, in which the venue’s Victorian wallpaper was converted into sound; Chimes for a Wall Drawing, a live performance on processed chime bars, guitar and sine waves which took Sol LeWitt’s Wall Drawing #1136 as an inspiration and graphic score; Quay Tones, an audiovisual installation which explored the history and atmosphere of the Middle Ages trading port King’s Lynn through images focusing on weathered fragments of architecture and scenery and processed recordings of baroque harpsichord tones and field recordings. I have been producing glitchy melodic electronic music under the name Cheju since 2004, blending warm synth tones, crunchy broken beats and layered atmospheric textures. Releases as Cheju include 4 CD albums – Pica (Unlabel, 2006), Diode (U-Cover, 2007), Broken Waves (Boltfish Recordings, 2009) and Waiting for Tomorrow (Distant Noise, 2009) – and EPs and compilation appearances on labels including Static Caravan, Smallfish Records, Awkward Silence, October Man Recordings, Rednetic, Symbolic Interaction and Interchill. I am also co-owner of electronica label Boltfish Recordings and have performed live at venues including the Glade Festival, Sunrise Festival, Big Chill House, InSpiral Lounge, Synergy Project, STFU and GlitchNight. Time Lapse (Hibernate, 2010) is my debut CD release under my own name and combines the warm emotive electronic melodies of my Cheju output with the more minimal drones and field recordings-based sensibility of my sound art work. Melodies are still integral to the music, but are more subtle, fragmented, and submerged among beds of droning ambient textures and environmental sounds. Education MA Arts Criticism (Distinction), City University, London, 1997 Residencies Estonian Artists' Association, Tallinn, Estonia Selected Exhibitions Image & Resonance, Foundation Destellos, Argentina Seeing Sound 2, Bath Spa University, UK Wonderpia, Nanji Studio Gallery, Seoul, South Korea Re/Flux, ICA, London, UK Sculpture Remixed, Tate Liverpool, UK Lightworks, Grimsby Minster, UK Odd Place, ARTSIDE, Seoul, South Korea KRiK Festival, Spirit, Rijeka, Croatia Soundgate, Kunsten / Utzon Centre / Platform4, Aalborg, Denmark BBC Norfolk Film Festival, Fusion at The Forum, Norwich, UK (D)FEFV, Decumanus Gallery, Krk, Croatia Sonic Vigil V, St Fin Barre’s Cathedral, Cork, Ireland Location Location, Stramash Space, UK SoundImageSound VII, Conservatory of Music, University of the
Pacific, Stockton, USA A Thing About Machines, Herbert Gallery, Coventry, UK Trading As...: Hanse Art Project, King's Lynn Arts Centre, UK Transfixed Motion / Transitory Still, Sheffield Institute of
Art and Design Gallery, UK Sound:Space 2008, South Hill Park, Bracknell, UK Black Powder + White Party, Kyung Hee University Museum of Arts,
Seoul, South Korea Fresh Interventions, Oxburgh Hall (National Trust), Norfolk,
UK Selected Performances Hibernate & Home Normal Christmas Show, The Victoria, Dalston,
London, UK Late at Tate: Colour Remixed, Tate Liverpool, UK Leap 08, Liverpool Lighthouse, UK Black Powder + White Party Opening Performance, Kyung Hee University
Museum of Arts, Seoul, South Korea Detune, King’s Lynn Arts Centre, UK Julian Opie in the 90s and Kira Kim: A Palace of Mirages
Opening Performance, King’s Lynn Arts Centre, UK Selected Discography Wil
Bolton - Silver, Hibernate, 2012 |
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